Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael the charge to peter oil painting


the charge to peter
her majesty the queen, on loan to the victoria and albert museum. gouache on paper, 342x536 se
Painting ID::  64823
Raphael
the charge to peter
her majesty the queen, on loan to the victoria and albert museum. gouache on paper, 342x536 se
   
   
     

Raphael the lame man oil painting


the lame man
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 342x536cm se
Painting ID::  64824
Raphael
the lame man
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 342x536cm se
   
   
     

Raphael the death of ananias oil painting


the death of ananias
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 342x530cm se
Painting ID::  64825
Raphael
the death of ananias
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 342x530cm se
   
   
     

Raphael conversion of st. paul oil painting


conversion of st. paul
vatican museum se
Painting ID::  64826
Raphael
conversion of st. paul
vatican museum se
   
   
     

Raphael the convetsion of the proconsul sergius paulus oil painting


the convetsion of the proconsul sergius paulus
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 340x450cm se
Painting ID::  64827
Raphael
the convetsion of the proconsul sergius paulus
her majesty the queen, on loan to the victoria and albert museum . gouac on paper, 340x450cm se
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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